︎
Steffani Jemison
︎ info
︎ visual diary
︎ downloads

︎  steffanisteffani / gmail.com
︎  US: Greene Naftali
︎  NL: Annet Gelink

Steffani Jemison, A Rock, A River, A Street. 154 pages. 5 x 7.25 inches. Primary Information: New York, NY. Edition of 2000. Paperback. October 2022. Installation view. The Great Migration: A Movement in Every Direction. Mississippi Museum of Art. Image description: A projector screen in a darkened room depicts two women in front of a painted backdrop. Installation view, The Great Migration: A Movement in Every Direction. Mississippi Museum of Art. Image description: A projector screen in a darkened room depicts a young woman from a side profile. Installation view, JOAN. End over End. Image description: A projection screen in a darkened room with a split screen black and white image. Installation view, End over End. JOAN, Los Angeles. Image description: In the foreground a low white surface holds different colored glass, rocks, and metal detritus. In the background to the left is a projection screen. In the background on the right are two sculptures on pedestals, and a drawing on glass is mounted on the wall. Installation view, End over End. JOAN, Los Angeles. Image description: A rock tumbler sculpture; a cylindrical barrel filled with dark grit, water, and rough sits atop motorized shafts supported by an aluminum frame. Installation view, WLD. Madragoa Gallery, Lisbon. Image description: A gallery where in the foreground are three narrow freestanding walls supported by metal brackets, with drawings on clear film draped over them. On the left and right there are smaller drawings on clear film hung on the gallery walls. Installation view, Greater New York. MoMA/PS1, Long Island City, New York. Image description: In the foreground three rock tumblers line the wall to the right hand side of the frame. In the background, a person bends forward slightly to look at small pieces of green and clear glass, varying colored rocks, and pennies on a low irregularly shaped plinth. Installation view, Steffani Jemison: Broken Fall. Greene Naftali, New York, NY. Image description: A person stands with their back to the photographer viewing a large bronze colored print which reads “Black Utopia,” mounted on a white wall. Installation view, Steffani Jemison: Broken Fall. Greene Naftali, New York, NY. Image description: In the right foreground, a large bronze print that reads “Black Utopia” hangs on a white wall. In the left background hangs a bronze print depicting a sun. Installation view, Steffani Jemison: Broken Fall. Greene Naftali, New York, NY. Image description: A CRT TV sits on a white pedestal. On the screen is a black and white depiction of a man looking up, his arms extended up, above the top of the frame. Installation view, Steffani Jemison: Broken Fall. Greene Naftali, New York, NY. Image description: A screen with a black and white split-screen projection. The left image is of a hand reaching from the left side of the frame to support a foot wearing a sneaker, with the leg extending off the frame to the right. The right hand image is a 90 degree skewed, close-up of a man’s face. Installation view, Steffani Jemison: Broken Fall. Greene Naftali, New York, NY Steffani Jemison, "In Succession 2019". Installation view, In Between Days, Guggenheim Museum, New York, NY, 2021. Image description: In the foreground a projector sits on a cart next to a white pillar. In the background a projection screen depicts a black and white split-screen image. The left image is the top of a man's head, where the top back corner of the head touches the bottom center of the screen. The right image is a close up of an arm clad in a white shirt, bent slightly, where the shoulder is on the left side of the image and the arm extends past the right side of the frame. Installation view: Steffani Jemison: End Over End, March 5 - August 8, 2021, Contemporary Arts Center, Cincinnati. Photo: Jesse Ly. Image description: In the foreground, small pieces of glass, rocks, and pennies sit on a low standing irregular shaped plinth. In the right background, a projection screen depicts an image of a woman reaching her arm beyond the bottom center of the frame. Toss, 2021. HD color video, with sound, 42 min., 20. sec. Courtesy of the artist, Kai Matsumiya, New York, and Annet Gelink Gallery, Amsterdam. Photo: Jesse Ly. Image description: A projection screen depicts a bright blue sky framed by an irregular hexagonal shape. A large tree stands in the left part of the frame. A crown of dark curly hair floats in the top of the frame. Tumblers, 2021. stones, coins, glass, water, ceramic media, grit, and soap, dimensions variable. Courtesy of the artist, Kai Matsumiya, New York, and Annet Gelink Gallery, Amsterdam. Photo: Jesse Ly. Image description: Small pieces of green and clear glass, varying colored rocks, and pennies sit on a white surface. Installation view: Steffani Jemison: End Over End, March 5 - August 8, 2021, Contemporary Arts Center, Cincinnati. Photo: Jesse Ly. Image description: In the foreground, three rock tumbler sculptures. In the background, a projection screen depicts a woman holding a green screen with her back to us. Tumbler, 2021. Aluminum, electric gear motor, belt, 3D printed nylon, rubber, PET, stones, coins, glass, water, ceramic media, grit, and soap, 17 x 17 x 10 inches. Courtesy of the artist, Kai Matsumiya, New York, and Annet Gelink Gallery, Amsterdam. Photo: Jesse Ly. Image description: A rock tumbler sculpture; a cylindrical barrel filled with dark grit, water, and rough sits atop motorized shafts supported by an aluminum frame. Tumbler, 2021. Aluminum, electric gear motor, belt, 3D printed nylon, rubber, PET, stones, coins, glass, water, ceramic media, grit, and soap, 17 x 17 x 10 inches. Courtesy of the artist, Kai Matsumiya, New York, and Annet Gelink Gallery, Amsterdam. Image description: A rock tumbler sculpture; a cylindrical barrel filled with dark grit, water, and rough is rotated by motorized shafts supported by an aluminum frame. Untitled, 2021. Acrylic, tempered glass table top, hardware. 59"H x 30"W x .5"D. A drawing on glass sits on a small low white pedestal, leaning against a white wall. Untitled, 2021. Acrylic, tempered glass table top, hardware. 59"H x 30"W x .5"D. A drawing on glass sits on a small low white pedestal, leaning against a white wall. Untitled, 2021. Acrylic, tempered glass table top, hardware. 59"H x 30"W x .5"D. A drawing on glass sits on a small low white pedestal, leaning against a white wall. Untitled, 2021. Acrylic, tempered glass table top, hardware. 59"H x 30"W x .5"D. A drawing on glass sits on a small low white pedestal, leaning against a white wall. Untitled, 2021. Acrylic, tempered glass table top, hardware. 15"H (irregular) x 30"W (irregular) x .5"D. A drawing on glass leans against a white wall on a shelf with a notch routed for the glass to rest in. Same Time (10 works pictured). Installation view of The Inconstant World, Institute of Contemporary Art, Los Angeles, 2021. Photo: Jeff McLane. Image description: On the left hand wall four paintings on clear acrylic hang on a white wall. The leftmost two paintings extend from the wall onto a low rectangular white plinth. On the right hand wall four more paintings on clear acrylic hang on a wall in groups of two. In front of each group is a low rectangular white plinth, each with another painting on clear acrylic. Same Time (three works pictured). Installation view, Enunciated Life, California African American Museum, 2021. All works 2016. Photograph by Elon Schoenholz. Image description: Two drawing installations comprised of black acrylic shapes on clear film are affixed to the wall. Steffani Jemison, "Same Time" (2020) Acrylic paint on clear film (two pieces), each 25” x 20.” Installation view: Candice Madey, "There Will Be Soft Rains." Image description: In the background two drawings on clear film affixed directly to the wall. In the foreground a sculpture. Steffani Jemison, multiple works, Prémio Paulo Cunha e Silva Art Prize, Galeria Municipal do Porto (2020), Porto, Portugal. Image description: In the left foreground, a large drawing on fabric with a purple to orange gradient. In the right background, two drawing installations affixed directly to the wall. Steffani Jemison, "May 29, 2020," published on MoMA.org. Image description: A screenshot of a Museum of Modern Art webpage includes some text from an essay titled, "The artist reflects on Lorraine Hansberry's What Use Are Flowers?" by Steffani Jemison. Video still: Steffani Jemison, Similitude (2019). Image description: A video still depicts two transparent hands in front of a man's smiling face. Video still: Steffani Jemison, Similitude (2019). Image description: A video still depicts a man stretching his mouth open wide as he looks into a mirror. On Similitude, by Steffani Jemison with Garrett Gray. Published by Triple Canopy. Image description: A screenshot of a Triple Canopy webpage includes some text from an essay titled, "On Similitude" by Steffani Jemison with Garrett Gray. On Similitude, by Steffani Jemison with Garrett Gray. Published by Triple Canopy. Image description: A screenshot of a Triple Canopy webpage includes a simple line drawing of a man laying down with his right leg tucked under his left leg. Steffani Jemison with Garrett Gray, On Similitude, 2019. Image description: A video still from a live performance depicts audience members in the foreground watching as a man in black clothing moves in a bent position towards center stage. A large white screen flanked by two speakers on stands and a mirror to the right are staged in the background. Steffani Jemison with Garrett Gray, On Similitude, 2019. Image description: A video still from a live performance depicts audience members in the foreground watching as a man in black clothing stands in front of a large white screen facing away from the audience with his arms raised in the air. Steffani Jemison with Garrett Gray, On Similitude, 2019. Image description: A video still from a live performance depicts audience members in the foreground watching as two people in black clothing face each other with their hands reaching forward and slightly bent at the elbow. Performance documentation, Recitatif (To signal a gathering). Jessica Silverman Gallery, San Francisco, CA (2019). Featuring Keith Jackson. Image description: In the foreground, a man reading music from a music stand plays violin as a woman sitting across from him looks at him and at a music stand; her hand is on a keyboard. In the background, several people watch. Performance documentation: Recitatif (The future panted at the gate). Kalamazoo Institute of Art, Kalamazoo, CA (2019). Featuring Jordan Hamilton. Image description: In the foreground, a woman and man sit in chairs across from each other with sheet music on music stands between them. In the background, a black sculpture hangs suspended in the corner of the room. Steffani Jemison and Jamal Cyrus, Bookworks, Tufts University Galleries. Photo by and courtesy of Jovonna Jones, The Black Studies Reading Room, August 28, 2019. Image description: A group of approximately thirty people stand together in an art gallery. Behind them, a wooden display case of white paper booklets. Exhibition view of Centre d'Art Contemporain Genève: ArtGenève: Steffani Jemison. © Centre d’Art Contemporain Genève. Image description: Three drawing installations comprised of black acrylic shapes on clear film are affixed to three separate walls. Exhibition view of Centre d'Art Contemporain Genève: ArtGenève: Steffani Jemison. © Centre d’Art Contemporain Genève. Image description: Two drawing installations comprised of black acrylic shapes on clear film are affixed to two separate walls. Exhibition view of Centre d'Art Contemporain Genève: ArtGenève: Steffani Jemison. © Centre d’Art Contemporain Genève. Image description: Two drawing installations comprised of black acrylic shapes on clear film are affixed to two separate walls. Exhibition view of Scrivere Disegnando. When Language Seeks Its Other at Centre d’Art Contemporain Genève (January 29‒May 3, 2020). © Centre d’Art Contemporain Genève/Collection de l'Art Brut, Lausanne. Photo: Mathilda Olmi. Image description: A sculptural installation comprised of a cardboard tube atop layered pieces of painted acrylic sits on a white surface. Exhibition view of Scrivere Disegnando. When Language Seeks Its Other at Centre d’Art Contemporain Genève (January 29‒May 3, 2020). © Centre d’Art Contemporain Genève/Collection de l'Art Brut, Lausanne. Photo: Mathilda Olmi. Image description: In the foreground, a sculptural installation and two sculptures. In the background, nine drawings on clear film hang. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: A long table presenting an artwork on clear film sits in the center of a large room. Several other sculptural pieces also populate the room. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: In the foreground, a sculptural work comprised of two pieces of painted clear film propped up by a clear acrylic stand. In the background, a similar work. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: A black and grey drawing on clear film sits on a white table. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: A long table presenting an artwork on clear film sits in the center of a large room. Several other sculptural pieces also populate the room. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: A sculptural work comprised of two pieces of painted clear film propped up by a clear acrylic stand. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: Two sculptural works comprised of painted clear film propped up by a clear acrylic stand. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: Two sculptural works comprised of painted clear film propped up by a clear acrylic stand. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel.Image description: A projection screen with a black and white split image. The left image is of hands raised with palms facing out, and the right is a hand with palm facing away from the viewer. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: Image description: A projection screen with a black and white split image. The left frame features a foot in a sneaker and other ambiguous clothed body parts. The right frame features a close up shot of two clothed limbs. Video still: In succession (2019). HD video, black and white, sound. Image description: Video still of a split screen black and white video. The left frame shows two hands each cupping another body part. The right frame also has a hand bent at the wrist bracing an unspecified clothed body part. Research image: In succession (2019)" Image description: A black and white video still. In the foreground two men each with another man standing on their shoulders. In the background is a large house with a porch and balcony." Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel" Image description: An art gallery with a long white table receding from the foreground, on the table is a painting on clear acrylic. In the background there are four sculptural works comprised of painted clear film propped up by a clear acrylic stand and another white table. Steffani Jemison on the Stroke, the Glyph, and the Mark published on artforum.com. Image description: A screenshot of artforum webpage which includes two images of drawings on clear acrylic. Steffani Jemison, "Same Time" (2018). Acrylic on clear polyester film. Image description: Painted clear film hanging on a white wall. Whitney Biennial 2019. Photograph courtesy of the artist. Image description: In the foreground is the sillhouette of a persons head watching a screen in the background, the screen depicts a Black woman wearing glasses, a black shirt, a cross necklace, and white gloves. Steffani Jemison, Sensus Plenior (2017). HD video, black and white, sound. Installation view, Whitney Biennial, Whitney Museum (2019). Image description: A woman wearing a white dress and white gloves with her face painted white stands with her arms extended to the sides. In the background is a small stage with a row of chairs, a cross, and person wearing all black standing on the lefthand side. Steffani Jemison, Untitled (2019). Steffani Jemison, Untitled (2019). UV cured inkjet print on tempered glass, museum board, frame. 31 in x 44.75 in. Image description: A gestural print with a white frame hangs on a white wall. Installation view, solo exhibition at Kai Matsumiya, 2019. Image description: The inside of a gallery. In the foreground a painting on clear film hangs on a wall. In the background wall a UV print hangs in white frame. There is a doorway that leads further into the gallery showing another work on clear film and another framed print. Steffani Jemison, Untitled (2019). Steffani Jemison, Untitled (2019). UV cured inkjet print on tempered glass, museum board, frame. 44.75 in x 31 in. Image description: A black and white gestural print with a white frame hangs on a white wall. Steffani Jemison, Untitled (2019). Steffani Jemison, Untitled (2019). UV cured inkjet print on tempered glass, museum board, frame. 31 in x 44.75 in. Image description: A black and white gestural print with a white frame hangs on a white wall. Steffani Jemison, Untitled (2019). Steffani Jemison, Untitled (2019). UV cured inkjet print on tempered glass, museum board, frame. 15 in x 25 in. Image description: A black and white gestural print with a white frame hangs on a white wall. Steffani Jemison, Untitled (2019). Steffani Jemison, Untitled (2019). UV cured inkjet print on tempered glass, museum board, frame. 44.75 in x 31 in. Image description: A black and white gestural print with a white frame hangs on a white wall. Steffani Jemison, Untitled (2019). Steffani Jemison, Untitled (2019). UV cured inkjet print on tempered glass, museum board, frame. 15 in x 30 in. Image description: A gestural print with a white frame hangs on a white wall. Steffani Jemison, not titled, Acrylic paint, polyester film, acrylic, hardware, 25 in x 15 in x 30 in. Image description: A sculptural work comprised of painted clear film propped up by a clear acrylic stand. Steffani Jemison, not titled, Acrylic paint, polyester film, acrylic, hardware, 25 in x 15 in x 30 in. Image description: A sculptural work comprised of painted clear film propped up by a clear acrylic stand. Installation view, solo exhibition at Kai Matsumiya, 2019. Image description: Inside a gallery, in the foreground is a sculptural work comprised of painted clear film propped up by a clear acrylic stand. On the walls are 3 framed black and white UV prints. Installation shot ‘Decoders-Recorders’, a dual solo exhibition with Steffani Jemison and Samson Young, co-presented by De Appel and Looiersgracht 60. Photograph by LNDWstudio. Courtesy of Looiersgracht 60 / De Appel. Image description: A sculptural installation comprised of a cardboard tube atop layered pieces of painted acrylic sits on a white surface. Steffani Jemison, Same Time (2019). Acrylic on clear polyester film (four pieces), cardboard tube, polyester velvet. 24" x 44" x variable. Image description: A sculptural installation comprised of a cardboard tube atop layered pieces of painted acrylic sits on a white surface. Sensus Plenior. Installation view, Maison d'Art Bernard Anthonioz (2017). Image desciption: A gallery with a bench in front of a projection screen. On the screen is a woman with clown makeup sitting in front of a mirror with her mouth agape. Sensus Plenior. Installation view, Maison d'Art Bernard Anthonioz (2017). Image description: On the left is a side view of a projection screen, a figure is projected on the screen. On the right side of the image is a doorway through which a painting on clear film is visible. Steffani Jemison: Plant you now, dig you later. MASS MoCA, 2017. Image description: A gallery, on the righthand wall is a yellow neon work that reads "REVELATION." On the left side of the image is a wall of windows and a person standing next to a bench. Steffani Jemison, Same Time. Acrylic paint on clear polyester film. Iceberg Projects, 2018. Image description: A painting on clear film hanging on a white surface. Steffani Jemison, Same Time. Acrylic paint on clear polyester film. Iceberg Projects, 2018. Image description: A painting on clear film hanging on a white surface. Steffani Jemison, Same Time. Acrylic paint on clear polyester film. Iceberg Projects, 2018. Image description: A painting on clear film hanging on a white surface. Installation view, 20/20 Hindsight, Spaces Gallery, Cleveland, OH. Image description: Inside a gallery. In the foreground a painting on velvet lies on a white surface. In the background is a series of paintings on clear film hanging along a white wall. Installation view, 20/20 Hindsight, Spaces Gallery, Cleveland, OH. Image description: Two paintings on clear film mounted side by side on a white wall. Steffani Jemison, Same Time (2017). Acrylic paint on clear polyester film. Image description: Two paintings on clear film mounted side by side on a white wall. Steffani Jemison, Same Time (2017). Acrylic paint on clear polyester film.Image description: A close up detail shot of a painting on clear film, where the brushstrokes in black paint are visible. Steffani Jemison, Same Time (2017). Acrylic paint on clear polyester film. Image description: A row of paintings on clear film hang on a white wall, shot from a side view. Steffani Jemison, Same Time (2017). Acrylic paint on clear polyester film. Installation view, Of Gentle Birth. The Meeting, New York, NY, 2018. Image description: Four paintings on clear film in a row. The leftmost two extend down onto a white platform on the floor. Research image, FORT. Image description: A film still, a double exposed color image. One image of a group of people sitting, overlayed with an image of a woman standing. Research image, FORT. Image description: A film still, a double exposed color image. Two different images of groups of people in motion overlayed on each other. FORT, PopRally, MoMA, New York, NY 2018. Image descpription: In the background a video is projected on a wall. In the foreground an audience is seated in rows facing the projection with an aisle in the middle. Three people stand beneath the projection facing the audience. THE OLD AND THE NEW. Installation view, Unleashing, Teachers College. Image desciption: A painting reading "THE OLD AND THE NEW" hangs in a staircase. Installation view, Jeu de Paume (2017). On the lefthand wall a painting on velvet hangs. On the right a painting on velvet drapes over a low wall onto a horizontal white surface. Installation view, Maison d'Art Bernard Anthonioz, 2017. Image description: Four paintings on clear film hang on a ornate wall with two frescos and decorative columns. In the foregound a painting on velvet lays on a low horizontal white surface. Steffani Jemison, "And Forth" (2017). Acrylic paint and dye sublimation print on polyester velvet. Image description: A piece of velvet with printing and paint hangs on a white wall, and descends onto the floor. Steffani Jemison, Same Time. Installation view, CAPC Bordeaux, 2017. Image description: In the foreground a painting on clear film lies on a low white surface infron of large glass doors with an arched top. Through the doors another room can be seen with a pile of rocks. Installation view, Separation Penetrates, Mercer Union, Toronto, CA. Photography by Toni Hafkenscheid. Image description: In the foreground three drawings comprised of black paint on doubled over clear film hang on a wall. In the background a black and white UV print hangs. Installation view, Separation Penetrates, Mercer Union, Toronto, CA. Photography by Toni Hafkenscheid. Image description: A drawing comprised of black paint on doubled over clear film hangs on a white surface. Installation view, Separation Penetrates, Mercer Union, Toronto, CA. Photography by Toni Hafkenscheid. Image description: A drawing comprised of black paint on doubled over clear film hangs on a white surface. Installation view, Separation Penetrates, Mercer Union, Toronto, CA. Photography by Toni Hafkenscheid. Image description: Three drawings comprised of black paint on doubled over clear film hang in a row on a white surface. Installation view, Separation Penetrates, Mercer Union, Toronto, CA. Photography by Toni Hafkenscheid. In the foreground a black and white print hangs on a wall. In the background three drawings on clear film hang in a row, and behind that another print hangs on a perpendicular wall. Recitatif (Quiet storm / never saying anything at all). Nottingham Contemporary, UK, 2017. Image description: A crowd gathers in a mall with a large Christmas tree. In the center of the crowd two people face eachother with music stands between them. One plays a saxophone and the other has their hands on a laptop. There is a speaker on the ground between them. Recitatif (Quiet storm / never saying anything at all). Nottingham Contemporary, UK, 2017. Image desciption: Two performers face each other, one is seen from behind, the other can be seen playing a saxophone. Behind the saxophone player a crowd can be seen. Recitatif (So much things to say / never saying anything at all). Nottingham Contemporary, UK, 2017. Featuring HarleighBlu. Image description: An outdoor performance, two performers, one facing the camera and one facing away. Between them are music stands and a desk holding a laptop and a synthesizer. Recitatif (So much things to say / never saying anything at all). Nottingham Contemporary, UK, 2017. Featuring HarleighBlu. Image description: In the foreground, a person holds a child facing two performers. In the background, two performers stand, one by a microphone and the other in front of a desk with a synthesizer and a laptop. There is a speaker positioned between them. Mikrokosmos (Steffani Jemison and Justin Hicks), installation view, Kadist, Paris, FR. Image description: A screen with a image and the word BRIDGES sits low on a wall. A speaker sits high on the perpendicular wall. Mikrokosmos (Steffani Jemison and Justin Hicks), installation view, Kadist, Paris, FR. Image description: A painting on grey velvet is hung across a corner of a room. Mikrokosmos (Steffani Jemison and Justin Hicks). Another time, this time, one time. Nottingham Contemporary, UK (2018). Image description: Three performers face each other lit by spotlights in an otherwise dark room, surrounded by a crowd. Mikrokosmos (Steffani Jemison and Justin Hicks). Another time, this time, one time. Nottingham Contemporary, UK (2018.) Image description: A man faces away from the camera in the foreground. In the background a woman can be seen with one hand on a synthesizer and one hand on a keyboard. Mikrokosmos (Steffani Jemison and Justin Hicks). Another time, this time, one time. Nottingham Contemporary, UK (2018). Image desciription: Three performers are lit by spotlights on a stage with various equipment. A crowd can be seen seated behind them. Mikrokosmos (Steffani Jemison and Justin Hicks). Another time, this time, one time. Nottingham Contemporary, UK (2018). Image description: Two performers stand on a stage with various equipment in front of each of them. Mikrokosmos (Steffani Jemison and Justin Hicks). Power Listening. Atlantic Terminal Cultural Center. (2017). Image description: A man can be seen looking down at a table around which a group of children gather to draw. Mikrokosmos (Steffani Jemison and Justin Hicks). Power Listening. Atlantic Terminal Cultural Center. (2017). Image description: A group of children gather around a table, some drawing, some looking at a laptop. You Completes Me. Installation view, Speech Acts, Institute of Contemporary Art, Philadelphia, PA. (2012/2018). Image description: A person stands facing a white wall covered in text and images. Steffani Jemison, Black Utopia (Hand / Line) (2017). UV inkjet print on mirrored acrylic. Installation view, Plant you now, dig you later, MASS MoCA, 2017. Image description: A print on bronze acrylic is hung on an exposed brick wall. Video still, Sensus Plenior (2017). HD video, black and white, sound. Image description: A black and white video still of a woman with mime makeup, clutching at her chest wearing a white dress and white gloves. In the background is a stage with a row of chairs, a cross, and a person seated on the lefthand side wearing all black. Research image (2017). Image description: A black and white still of row of women in mime makeup stand in the front of a church. Video still, Sensus Plenior (2017). HD video, black and white, sound. Image description: A black and white still of woman with glasses and white gloves. Research drawing. Image description: A simple line drawing of a woman with gloves and glasess overlayed twice. Steffani Jemison Jeu de Paume Catalogue. Image description: Catalogue front and back cover with text.